Tag: intellectuals

Tár, or the (im)possibility of female genius

Blog, Politics, psychoanalysis, Reviews, social theory, theory teaching, Uncategorized

“One is not born a genius, one becomes a genius;”, wrote Simone de Beauvoir in The Second Sex; “and the feminine situation has up to the present rendered this becoming practically impossible.”

Of course, the fact that the book, and its author, are much better known for the other quote on processual/relational ontology – “one is not born a woman, one becomes a woman” – is a self-fulfilling prophecy of the first. A statement about geniuses cannot be a statement about women. A woman writing about geniuses must, in fact, be writing about women. And because women cannot be geniuses, she cannot be writing about geniuses. Nor can she be one herself.

I saw Tár, Todd Field’s lauded drama about the (fictional) first woman conductor of the Berlin Philharmonic Orchestra, earlier this year (most of this blog post was written before the Oscars and reviews). There were many reasons why I was poised to love it: the plot/premise, the scenario, the music (obviously), the visuals (and let’s be honest, Kate Blanchett could probably play a Christmas tree and be brilliant). All the same, it ended up riling me for its unabashed exploitation of most stereotypes in the women x ambition box. Of course the lead character (Lydia Tár, played by Blanchett) is cold, narcissistic, and calculating; of course she is a lesbian; of course she is ruthless towards long-term collaborators and exploitative of junior assistants; of course she is dismissive of identity politics; and of course she is, also, a sexual predator. What we perceive in this equation is that a woman who desires – and attains – power will inevitably end up reproducing exactly the behaviours that define men in those roles, down to the very stereotype of Weinstein-like ogre. What is it that makes directors not be able to imagine a woman with a modicum of talent, determination, or (shhh) ambition as anything other than a monster – or alternatively, as a man, and thus by definition a ‘monster’?

To be fair, this movement only repeats what institutions tend to do with women geniuses: they typecast them; make sure that their contributions are strictly domained; and penalize those who depart from the boundaries of prescribed stereotypical ‘feminine’ behaviour (fickle, insecure, borderline ‘hysterical’; or soft, motherly, caring; or ‘girlbossing’ in a way that combines the volume of the first with the protective urges of the second). Often, like in Tár, by literally dragging them off the stage.

The sad thing is that it does not have to be this way. The opening scene of Tár is a stark contrast with the closing one in this regard. In the opening scene, a (staged) interview with Adam Gopnik, Lydia Tár takes the stage in a way that resists, refuses, and downplays gendered stereotypes. Her demeanor is neither masculine nor feminine; her authority is not negotiated, forced to prove itself, endlessly demonstrated. She handles the interview with an equanimity that does not try to impress, convince, cajole, or amuse; but also not charm, outwit, or patronize. In fact, she does not try at all. She approaches the interviewer from a position of intellectual equality, a position that, in my experience, relatively few men can comfortably handle. But of course, this has to turn out to be a pretense. There is no way to exist as a woman in the competitive world of classical music – or, for that matter, anywhere else – without paying heed to the gendered stereotypes.

A particularly poignant (and, I thought, very successful) depiction of this is in the audition scene, in which Olga – the cellist whose career Tár will help and who will eventually become the object of her predation – plays behind a screen. Screening off performers during auditions (‘blind auditions’) was, by the way, initially introduced to challenge gender bias in hiring musicians to major orchestras – to resounding (sorry) success, making it 50% more likely women would be hired. But Tár recognizes the cellist by her shoes (quite stereotypically feminine shoes, by the way). The implication is that even ‘blind’ auditions are not really blind. You can be either a ‘woman’ (like Olga, young, bold, straight, and feminine); or a ‘man’ (like Lydia, masculine, lesbian, and without scruples). There is no outside, and there is no without.

As entertaining as it is to engage in cultural criticism of stereotypical gendered depiction in cinemas, one question from Tár remains. Is there a way to perform authority and expertise in a gender-neutral way? If so, what would it be?

People often tell me I perform authority in a distinctly non-(stereotypically)-feminine way; this both is and is not a surprise. It is a surprise because I am still occasionally shocked by the degree to which intellectual environments in the UK, and in particular those that are traditionally academic, are structurally, relationally, and casually misogynist, even in contexts supposedly explicitly designed to counter it. It is not a surprise, on the other hand, as I was raised by women who did not desire to please and men who were more than comfortable with women’s intellects, but also, I think, because the education system I grew up in had no problems accepting and integrating these intellects. I attribute this to the competitive streak of Communist education – after all, the Soviets sent the first woman into space. But being (at the point of conception, not reception, sadly) bereft of gendered constraints when it comes to intellect does not solve the other part of the equation. If power is also, always, violence, is there a way to perform power that does not ultimately involve hurting others?

This, I think, is the challenge that any woman – or, for that matter, anyone in a position of power who does not automatically benefit from male privilege – must consider. As Dr Autumn Asher BlackDeer brilliantly summarized it recently, decolonization (or any other kind of diversification) is not about replacing one set of oppressors with another, so having more diverse oppressors. Yet, all too frequently, this kind of work – willingly or not – becomes appropriated and used in exactly these ways.

Working in institutions of knowledge production, and especially working both on and within multiple intersecting structures of oppression – gender, ethnicity/race, ability, nationality, class, you name it – makes these challenges, for me, present on a daily basis in both theoretical and practical work., One of the things I try to teach my students is that, in situations of injustice, it is all too appealing to react to perceived slight or offence by turning it inside out, by perpetuating violence in turn. If we are wronged, it becomes easy to attribute blame and mete out punishment. But real intellectual fortitude lies in resisting this impulse. Not in some meek turning-the-other-cheek kind of way, but in realizing that handing down violence will only, ever, perpetuate the cycle of violence. It is breaking – or, failing that, breaking out of – this cycle we must work towards.

As we do, however, we are faced with another kind of problem. This is something Lauren Berlant explicitly addressed in one of their best texts ever, Feminism and the Institutions of Intimacy: most people in and around institutions of knowledge production find authority appealing. This, of course, does not mean that all intellectual authority lends itself automatically to objectification (on either of the sides), but it does and will happen. Some of this, I think, is very comprehensively addressed in Amia Srinivasan‘s The Right to Sex; some of it is usefully dispensed with by Berlant, who argues against seeing pedagogical relations as indexical for transference (or the other way around?). But, as important as these insights are, questions of knowledge – and thus questions of authority – are not limited to questions of pedagogy. Rather, they are related to the very relational nature of knowledge production itself.

For any woman who is an intellectual, then, the challenge rests in walking the very thin line between seduction and reduction – that is, the degree to which intellectual work (an argument, a book, a work of art) has to seduce, but in turn risks being reduced to an act of seduction (the more successful it is, the more likely this will happen). Virginie Despentes’ King Kong Theory, which I’m reading at the moment (shout out to Phlox Books in London where I bought it), is a case in point. Despentes argues against reducing women’s voices to ‘experience’, or to women as epistemic object (well, OK, the latter formulation is mine). Yet, in the reception of the book, it is often Despentes herself – her clothes, her mannerisms, her history, her sexuality – that takes centre stage.

Come to think of it, this version of ‘damned if you do, damned if you don’t’ applies to all women’s performances: how many times have I heard people say they find, for instance, Judith Butler’s or Lauren Berlant’s arguments or language “too complex” or “too difficult”, but on occasions when they do make an effort to engage with them reduce them to being “about gender” or “about sexuality” (hardly warrants mentioning that the same people are likely to diligently plod through Heidegger, Sartre or Foucault without batting an eyelid and, speaking of sexuality, without reducing Foucault’s work on power to it). The implication, of course, is that writers or thinkers who are not men have the obligation to persuade, to enchant readers/consumers into thinking their argument is worth giving time to.

This is something I’ve often observed in how people relate to the arguments of women and nonbinary intellectuals: “They did not manage to convince me” or “Well, let’s see if she can get away with it”. The problem is not just the casualized use of pronouns (note how men thinkers retain their proper names: Sartre, Foucault, but women slip into being a “she”). It’s the expectation that it is their (her) job to convince you, to lure you. Because, of course, your time is more valuable than hers, and of course, there are all these other men you would/should be reading instead, so why bother? It is not the slightest bit surprising that this kind of intellectual habit lends itself too easily to epistemic positioning that leads to epistemic erasure, but also that it becomes all too easily perpetuated by everyone, including those who claim to care about such things.

One of the things I hope I managed to convey in the Ethics of Ambiguity reading group I ran at the end of 2022 and beginning of 2023 is to not read intellectuals who are not white men in this way. To not sit back with your arms folded and let “her” convince you. Simone Weil, another genius – and a woman – wrote that attention is the primary quality of love we can give to each other. The quality of intellectual attention we give to pieces we read has to be the same to count as anything but a narrow, self-aggrandizing gesture. In other words, a commitment to equality means nothing without a commitment to equality of intellectual attention, and a constant practice and reflection required to sustain and improve it.

Enjoyed this? Try https://journals.sagepub.com/doi/10.1177/00113921211057609

and https://www.thephilosopher1923.org/post/philosophy-herself

Sally’s boys, Daddy’s girls

Blog, psychoanalysis, Reviews, social theory, Sociological fiction

I’ve finished reading Sally Rooney’s most recent novel, Beautiful World, Where are you? It turned out to be much better than I expected – as an early adopter of Conversations with Friends (‘read it – and loved it – before  it was cool’), but have subsequently found Normal People quite flat – by which I mean I spent most of the first half struggling, but found the very last bits actually quite good. In an intervening visit to The Bound, I also picked up one of Rooney’s short stories, Mr Salary, and read it on the metro back from Whitley Bay.

I became intrigued by the ‘good boy’ characters of both – Simon in Beautiful World, Nathan in Mr Salary. For context (and hopefully without too many spoilers), Simon is the childhood friend-cum-paramour of Eileen, who is the best friend of Alice (BW’s narrator, and Rooney’s likely alter-ego); Nathan, the titular character of Mr Salary, is clearly a character study for Simon, and in a similar – avuncular – relationship to the story’s narrator. Both Simon and Nathan are older than their (potential) girlfriends in sufficient amounts to make the relationship illegal or at least slightly predatory when they first meet, but also to hold it as a realistic and thus increasingly tantalizing promise once they have grown up a bit. But neither men are predatory creeps; in fact, exactly the opposite. They are kind, understanding, unfailingly supportive, and forever willing to come back to their volatile, indecisive, self-doubting, and often plainly unreliable women.

Who are these fantastic men? Here is an almost perfect reversal of the traditional romance portrayal of gender roles – instead of unreliable, egotistic, unsure-about-their-own-feelings-and-how-to-demonstrate-them guys, we are getting more-or-less the same, but with girls, with the men providing a reliable safe haven from which they can weather their emotional, professional, and sexual storms. This, of course, is not to deny that women can be as indecisive and as fickle as the stereotypical ‘Bad Boys’ of toxic romance; it’s to wonder what this kind of role reversal – even in fantasy, or the para-fantasy para-ethnography that is contemporary literature – does.

On the one hand, men like Simon and Nathan may seem like godsend to anyone who has ever gone through the cycle of emotional exhaustion connected to relationships with people who are, purely, assholes. (I’ve been exceptionally lucky in this regard, insofar as my encounters with the latter kind were blissfully few; but sufficient to be able to confirm that this kind does, indeed, exist in the wild). I mean, who would not want a man who is reliable, supportive of your professional ambitions, patient, organized, good in bed, and does laundry (yours included)? Someone who could withstand your emotional rollercoasters *and* buy you a ticket home when you needed it – and be there waiting for you? Almost like a personal assistant, just with the emotions involved.

And here, precisely, is the rub. For what these men provide is not a model of a partnership; it’s a model of a parent. The way they relate to the women characters – and, obviously, the narrative device of age difference amplifies this – is less that of a partner and  more of a benevolent older brother or, in a (n only slight) paraphrase of Winnicott, a good-enough father.

In Daddy Issues, Katherine Angel argues that feminism never engaged fully with the figure of the father – other than as the absent, distant or mildly (or not so mildly) violent and abusive figure. But somewhere outside the axis between Sylvia Plath’s Daddy and Valerie Solanas’ SCUM manifesto is the need to define exactly what the role of the father is once it is removed from its dual shell of object of hate/object of love. Is there, in fact, a role at all?

I have been thinking about this a lot, not only in relation to the intellectual (and political) problem of relationality in theory/knowledge production practices  – what Sara Ahmed so poignantly summarized as ‘can one not be in relation to white men?’ – but also personally. Having grown up effectively without a father (who was also unknown to me in my early childhood), what, exactly, was the Freudian triangle going to be in my case? (no this does not mean I believe the Electra complex applies literally; if you’re looking to mansplain psychoanalytic theory, I’d strongly urge you to reconsider, given I’ve read Freud at the age of 13 and have read post-Freudians since; I’d also urge you to read the following paragraph and consider how it relates to the legacies of Anna Freud/Melanie Klein divide, something Adam Philips writes about).

In the domain of theory, claims of originality (or originarity, as in coining or discovering something) is nearly always attributed to men, women’s contributions almost unfailingly framed in terms of ‘application or elaboration of *his* ideas’ or ‘[minor] contribution to the study’ (I’ve written about this in the cases of Sartre/de Beauvoir and Robert Merton/Harriet Zuckerman’s the ‘Matthew Effect’, but other examples abound). As Marilyn Frye points out in “Politics of reality”, the force of genealogy does not necessarily diminish even for those whose criticism of patriarchy extends to refusing anything to do with men altogether; Frye remarks having observed many a lesbian separatist still asking to be recognized – intellectually and academically – by the white men ‘forefathers’ who sit on academic panels. The shadow of the father is a long one. For those of us who have chosen to be romantically involved with men, and have chosen to work in patriarchal mysoginistic institutions that the universities surely are, not relating to men at all is not exactly an option.

It is from this perspective that I think we’d benefit from a discussion on how men can be reliable partners without turning into good-enough daddies, because – as welcome and as necessary as this role sometimes is, especially for women whose own fathers were not – it is ultimately not a relationship between two adults. I remember reading an early feminist critique of the Bridget Jones industry that really hit the nail on the head: it was not so much Jones’ dedication to all things ‘60s and ‘70s feminism abhorred – obsession with weight loss and pursuit of ill-advised men (i.e. Daniel Cleaver); it was even more that when ‘Mr Right’ (Mark Darcy, the barely disguised equivalent of Austen’s Mr Darcy) arrives, he still falls for Bridget – despite the utter absence of anything from elementary competence at her job to the capacity to feed herself in any form that departs from binge eating to recommend her to a seemingly top-notch human rights attorney. Which really begs the question: what is Mr Darcy seeing in Bridget?

Don’t get me wrong: I am sure that there are men who are attracted to the chaotic, manic-pixie-who-keeps-losing-her-credit-card kind of girl. Regardless of what manifestation or point on the irresponsibility spectrum they occupy, these women certainly play a role for such men – allowing them to feel useful, powerful, respected, even perhaps feeding a bit their saviour complex. But ultimately, playing this role leaves these men entirely outside of the relationship; if the only way they relate to their partners is by reacting (to their moods, their needs, their lives), this ultimately absolves them of equal responsibility for the relationship. Sadly, there is a way to avoid equal division of the ‘mental load’ even while doing the dishes.

And I am sure this does something for the women in question too; after all, there is nothing wrong in knowing that there *is* going to be someone to pick you up if you go out and there are no taxis to get you back home, who will always provide a listening ear and a shoulder to cry on, seemingly completely irrespectively of their own needs (Simon is supposed to have a relatively high-profile political job, yet, interestingly, never feels tired when Ellaine calls or offers to come over). But what at first seems like a fantasy come true – a reliable man who is not afraid to show his love and admiration – can quickly turn into a somewhat toxic set of interdependencies: why, for instance, learn to drive if someone is always there to pick you up and drop you off? (honestly: even among the supposedly-super-egalitarian straight partnerships I know, the number of men drivers vastly outstrips that of women). The point is not to always insist on being a jack-of-all-trades (nor on being the designated driver), as much as to realize that most kinds of freedom (for instance, the freedom to drink when out) embed a whole set of dependencies (for instance, dependence on urban networks of taxis/Ubers or kind self-effacing mensaviours there to pick you up – in Cars’ slightly creepy formulation, drive you home).

Of course, as Simone de Beauvoir recognized, there is no freedom without dependency. We cannot, simply, will ourselves free without willing the same for others; but, at the same time, we cannot will them to be free, as this turns them into objects. In Ethics of Ambiguity – one of the finest books of existentialist philosophy – de Beauvoir turns this into the main conundrum (thus: source of ambiguity) for how to act ethically. Acknowledging our fundamental reliance on others does not mean we need to remain locked into the same set of interdependencies (e.g., we could build safe and reliable public transport and then we would not have to rely on people to drive us home?), but it also does not mean we need to kick out of them by denying or reversing their force – not least because it, ultimately, does not work.

The idea that gender equality, especially in heterosexual partnerships, benefits from the reversal of the trope of the uncommitted, eternally unreliable bachelor in the way that tips the balance in an entirely opposite direction (other than for very short periods of time, of course) strikes me as one of the manifestations of the long tail of post- or anti-feminist backlash – admittedly, a mild and certainly less harmful one than, for instance, the idea that feminism means ‘women are better than men’ or that feminists seek to eliminate men from politics, work, or anything else (both, worryingly, have filtered into public discourse). It also strikes me that the long-suffering Sacrificial Men who have politely taken shit from their objects of affection can all-too-easily be converted into Men’s Rights Activists or incels if and when their long suffering fails to yield results – for instance, when their Manic Pixie leaves with someone with a spine (not a Bad Boy, just a man with boundaries) – or when they realize that the person they have been playing Good Daddy to has finally grown up and left home.

Existing while female

Blog, Philosophy of social science, Politics, social theory, Uncategorized

Space

The most threatening spectacle to the patriarchy is a woman staring into space.

I do not mean in the metaphorical sense, as in a woman doing astronomy or astrophysics (or maths or philosophy), though all of these help, too. Just plainly sitting, looking into some vague mid-point of the horizon, for stretches of time.

I perform this little ‘experiment’ at least once per week (more often, if possible; I like staring into space). I wholly recommend it. There are a few simple rules:

  • You can look at the passers-by (a.k.a. ‘people-watching’), but try to avoid eye contact longer than a few seconds: people should not feel that they are particular objects of attention.
  • If you are sitting in a café, or a restaurant, you can have a drink, ideally a tea or coffee. That’s not saying you shouldn’t enjoy your Martini cocktails or glasses of Chardonnay, but images of women cradling tall glasses of alcoholic drink of choice have been very succesfully appropriated by both capitalism and patriarchy, for distinct though compatible purposes.
  • Don’t look at your phone. If you must check the time or messages it’s fine, but don’t start staring at it, texting, or browsing.
  • Don’t read (a book, a magazine, a newspaper). If you have a particularly interesting or important thought feel free to scribble it down, but don’t bury your gaze behind a notebook, book, or a laptop.

Try doing this for an hour.

What this ‘experiment’ achieves is that it renders visible the simple fact of existing. As a woman. Even worse, it renders visible the process of thinking. Simultaneously inhabiting an inner space (thinking) and public space (sitting), while doing little else to justify your existence.

NOT thinking-while-minding-children, as in ‘oh isn’t it admirrrrable that she manages being both an academic and a mom’.

NOT any other form of ‘thinking on our feet’ that, as Isabelle Stengers and Vinciane Despret (and Virginia Woolf) noted, was the constitutive condition for most thinking done by women throughout history.

The important thing is to claim space to think, unapologetically and in public.

Depending on place and context, this usually produces at least one of the following reactions:

  • Waiting staff, especially if male, will become increasingly attentive, repeatedly inquiring whether (a) I am alright (b) everything was alright (c) I would like anything else (yes, even if they are not trying to get you to leave, and yes, I have sat in the same place with friends, and this didn’t happen)
  • Men will try to catch my eye
  • Random strangers will start repeatedly glancing and sometimes staring in my direction.

I don’t think my experience in this regard is particularly exceptional. Yes, there are many places where women couldn’t even dream of sitting alone in public without risking things much worse than uncomfortable stares (I don’t advise attempting this experiment in such places). Yes, there are places where staring into a book/laptop/phone, ideally with headphones on, is the only way to avoid being approached, chatted up, or harassed by men. Yet, even in wealthy, white, urban, middle-class, ‘liberal’ contexts, women who display signs of being afflicted by ‘the life of the mind’ are still somehow suspect. For what this signals is that it is, actually, possible for women to have an inner life not defined by relation to men, if not particular men, then at least in the abstract.

Relations

‘Is it possible to not be in relation to white men?’, asks Sara Ahmed, in a brilliant essay on intellectual genealogies and institutional racism. The short answer is yes, of course, but not as long as men are in charge of drawing the family tree. Philosophy is a clear example. Two of my favourite philosophers, De Beauvoir and Arendt, are routinely positioned in relation to, respectively, Sartre and Heidegger (and, in Arendt’s case, to a lesser degree, Jaspers). While, in the case of De Beauvoir, this could be, to a degree, justified – after all, they were intellectual and writing partners for most of Sartre’s life – the narrative is hardly balanced: it is always Simone who is seen in relation to Jean-Paul, not the other way round*.

In a bit of an ironic twist, De Beauvoir’s argument in the Second Sex that a woman exists only in relation to a man seems to have been adopted as a stylistic prescription for narrating intellectual history (I recently downloaded an episode of In Our Time on De Beauvoir only to discover, in frustration, that it repeats exactly this pattern). Another example is the philosopher GEM Anscombe, whose work is almost uniquely described in terms of her interpretation of Wittgenstein (she was also married to the philosopher Peter Geach, which doesn’t help). A great deal of Anscombe’s writing does not deal with Wittgenstein, but that is, somehow, passed over, at least in non-specialist circles. What also gets passed over is that, in any intellectual partnership or friendship, ideas flow in both directions. In this case, the honesty and generosity of women’s acknowledgments (and occasional overstatements) of intellectual debt tends to be taken for evidence of incompleteness of female thinking; as if there couldn’t, possibly, be a thought in their ‘pretty heads’ that had not been placed there by a man.

Anscombe, incidentally, had a predilection for staring at things in public. Here’s an excerpt from the Introduction to the Vol. 2 of her collected philosophical papers, Metaphysics and the philosophy of mind:

“The other central philosophical topic which I got hooked on without realising it was philosophy, was perception (…) For years I would spend time in cafés, for instance, staring at objects saying to myself: ‘I see a packet. But what do I really see? How can I say that I see here anything more than a yellow expanse?’” (1981: viii).

But Wittgenstein, sure.

Nature

Nature abhors a vacuum, if by ‘nature’ we mean the rationalisation of patriarchy, and if by ‘vacuum’ we mean the horrifying prospect of women occupied by their own interiority, irrespectively of how mundane or elevated its contents. In Jane Austen’s novels, young women are regularly reminded that they should seem usefully occupied – embroidering, reading (but not too much, and ideally out loud, for everyone’s enjoyment), playing an instrument, singing – whenever young gentlemen came for a visit. The underlying message is that, of course, young gentlemen are not going to want to marry ‘idle’ women. The only justification for women’s existence, of course, is their value as (future) wives, and thus their reproductive capital: everything else – including forms of internal life that do not serve this purpose – is worthless.

Clearly, one should expect things to improve once women are no longer reduced to men’s property, or the function of wives and mothers. Clearly, they haven’t. In Motherhood, Sheila Heti offers a brilliant diagnosis of how the very question of having children bears down differently on women:

It suddenly seemed like a huge conspiracy to keep women in their thirties—when you finally have some brains and some skills and experience—from doing anything useful with them at all. It is hard to when such a large portion of your mind, at any given time, is preoccupied with the possibility—a question that didn’t seem to preoccupy the drunken men at all (2018: 98).

Rebecca Solnit points out the same problem in The Mother of All Questions: no matter what a woman does, she is still evaluated in relation to her performance as a reproductive engine. One of the messages of the insidious ‘lean-in’ kind of feminism is that it’s OK to not be a wife and a mother, as long as you are remarkably successful, as a businesswoman, a political leader, or an author. Obviously, ‘ideally’, both. This keeps women stressed, overworked, and so predictably willing to tolerate absolutely horrendous working conditions (hello, academia) and partnerships. Men can be mediocre and still successful (again, hello, academia); women, in order to succeed, have to be outstanding. Worse, they have to keep proving their oustandingness; ‘pure’ existence is never enough.

To refuse this – to refuse to justify one’s existence through a retrospective or prospective contribution to either particular men (wife of, mother of, daughter of), their institutions (corporation, family, country), or the vaguely defined ‘humankind’ (which, more often than not, is an extrapolation of these categories) – is thus to challenge the washed-out but seemingly undying assumption that a woman is somehow less-worthy version of a man. It is to subvert the myth that shaped and constrained so many, from Austen’s characters to Woolf’s Shakespeare’s sister: that to exist a woman has to be useful; that inhabiting an interiority is to be performed in secret (which meant away from the eyes of the patriarchy); that, ultimately, women’s existence needs to be justified. If not by providing sex, childbearing, and domestic labour, then at least indirectly, by consuming stuff and services that rely on underpaid (including domestic) labour of other women, from fashion to IPhones and from babysitting to nail salons. Sometimes, if necessary, also by writing Big Books: but only so they could be used by men who see in them the reflection of their own (imagined) glory.

Death

Heti recounts another story, about her maternal grandmother, Magda, imprisoned in a concentration camp during WWII. One day, Nazi soldiers came to the women’s barracks and asked for volunteers to help with cooking, cleaning and scrubbing in the officers’ kitchen. Magda stepped forward; as Heti writes, ‘they all did’. Magda was not selected; she was lucky, as it soon transpired that those women were not taken to the kitchen, but rather raped by the officers and then killed.

I lingered over the sentence ‘they all did’ for a long time. What would it mean for more women to not volunteer? To not accept endlessly proving one’s own usefulness, in cover letters, job interviews, student feedback forms? To simply exist, in space?

I think I’ll just sit and think about it for a while.

Screen Shot 2019-06-12 at 18.12.20.png

(The photo is by the British photographer Hannah Starkey, who has a particular penchant for capturing women inhabiting their own interiority. Thank you to my partner who first introduced me to her work, the slight irony being that he interrupted me in precisely one such moment of contemplation to tell me this).

*I used to make a point of asking the students taking Social Theory to change ‘Sartre’s partner Simone de Beauvoir’ in their essays to ‘de Beauvoir’s partner Jean-Paul Sartre’ and see if it begins to read differently.

Theory as practice: for a politics of social theory, or how to get out of the theory zoo

Blog, Conference presentations, higher education, Philosophy of social science, Politics, social theory

 

[These are my thoughts/notes for the “Practice of Social Theory“, which Mark Carrigan and I are running at the Department of Sociology of the University of Cambridge from 4 to 6 September, 2017].

 

Revival of theory?

 

It seems we are witnessing something akin to a revival of theory, or at least of an interest in it. In 2016, the British Journal of Sociology published Swedberg’s “Before theory comes theorizing, or how to make social sciences more interesting”, a longer version of its 2015 Annual public lecture, followed by responses from – among others – Krause, Schneiderhan, Tavory, and Karleheden. A string of recent books – including Matt Dawson’s Social Theory for Alternative Societies, Alex Law’s Social Theory for Today, and Craig Browne’s Critical Social Theory, to name but a few – set out to consider the relevance or contribution of social theory to understanding contemporary social problems. This is in addition to the renewal of interest in biography or contemporary relevance of social-philosophical schools such as Existentialism (1, 2) and the Frankfurt School [1, 2].

To a degree, this revival happens on the back of the challenges posed to the status of theory by the rise of data science, leading Lizardo and Hay to engage in defense of the value and contributions of theory to sociology and international relations, respectively. In broader terms, however, it addresses the question of the status of social sciences – and, by extension, academic knowledge – more generally; and, as such, it brings us back to the justification of expertise, a question of particular relevance in the current political context.

The meaning of theory

Surely enough, theory has many meanings (Abend, 2008), and consequently many forms in which it is practiced. However, one of the characteristics that seem to be shared across the board is that it is  part of (under)graduate training, after which it gets bracketed off in the form of “the theory chapter” of dissertations/theses. In this sense, theory is framed as foundational in terms of socialization into a particular discipline, but, at the same time, rarely revisited – at least not explicitly – after the initial demonstration of aptitude. In other words, rather than doing, theory becomes something that is ‘done with’. The exception, of course, are those who decide to make theory the centre of their intellectual pursuits; however, “doing theory” in this sense all too often becomes limited to the exegesis of existing texts (what Krause refers to as ‘theory a’ and Abend as ‘theory 4’) that leads to the competition among theorists for the best interpretation of “what theorist x really wanted to say”, or, alternatively, the application of existing concepts to new observations or ‘problems’ (‘theory b and c’, in Krause’s terms). Either way, the field of social theory resembles less the groves of Plato’s Academy, and more a zoo in which different species (‘Marxists’, ‘critical realists’, ‘Bourdieusians’, ‘rational-choice theorists’) delve in their respective enclosures or fight with members of the same species for dominance of a circumscribed domain.

 

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Competitive behaviour among social theorists

 

This summer school started from the ambition to change that: to go beyond rivalries or allegiances to specific schools of thought, and think about what doing theory really means. I often told people that wanting to do social theory was a major reason why I decided to do a second PhD; but what was this about? I did not say ‘learn more’ about social theory (my previous education provided a good foundation), ‘teach’ social theory (though supervising students at Cambridge is really good practice for this), read, or even write social theory (though, obviously, this was going to be a major component). While all of these are essential elements of becoming a theorist, the practice of social theory certainly isn’t reducible to them. Here are some of the other aspects I think we need to bear in mind when we discuss the return, importance, or practice of theory.

Theory is performance

This may appear self-evident once the focus shifts to ‘doing’, but we rarely talk about what practicing theory is meant to convey – that is, about theorising as a performative act. Some elements of this are not difficult to establish: doing theory usually means  identification with a specific group, or form of professional or disciplinary association. Most professional societies have committees, groups, and specific conference sessions devoted to theory – but that does not mean theory is exclusively practiced within them. In addition to belonging, theory also signifies status. In many disciplines, theoretical work has for years been held in high esteem; the flipside, of course, is that ‘theoretical’ is often taken to mean too abstract or divorced from everyday life, something that became a more pressing problem with the decline of funding for social sciences and the concomitant expectation to make them socially relevant. While the status of theory is a longer (and separate) topic, one that has been discussed at length in the history of sociology and other social sciences, it bears repeating that asserting one’s work as theoretical is always a form of positioning: it serves to define the standing of both the speaker, and (sometimes implicitly) others contributors. This brings to mind that…

Theory is power

Not everyone gets to be treated as a theorist: it is also a question of recognition, and thus, a question of political (and other) forms of power. ‘Theoretical’ discussions are usually held between men (mostly, though not exclusively, white men); interventions from women, people of colour, and persons outside centres of epistemic power are often interpreted as empirical illustrations, or, at best, contributions to ‘feminist’ or ‘race’ theory*. Raewyn Connell wrote about this in Southern Theory, and initiatives such as Why is my curriculum white? and Decolonizing curriculum in theory and practice have brought it to the forefront of university struggles, but it speaks to the larger point made by Spivak: that the majority of mainstream theory treats the ‘subaltern’ as only empirical or ethnographic illustration of the theories developed in the metropolis.

The problem here is not only (or primarily) that of representation, in the sense in which theory thus generated fails to accurately depict the full scope of social reality, or experiences and ideas of different people who participate in it. The problem is in a fundamentally extractive approach to people and their problems: they exist primarily, if not exclusively, in order to be explained. This leads me to the next point, which is that…

Theory is predictive

A good illustration for this is offered by pundits and political commentators’ surprise at events in the last year: the outcome of the Brexit referendum (Leave!), US elections (Donald Trump!), and last but not least, the UK General Election (surge in votes for Corbyn!). Despite differences in how these events are interpreted, they in most cases convey that, as one pundit recently confessed, nobody has a clue about what is going on. Does this mean the rule of experts really is over, and, with it, the need for general theories that explain human action? Two things are worth taking into account.

To begin with, social-scientific theories enter the public sphere in a form that’s not only simplified, but also distilled into ‘soundbites’ or clickbait adapted to the presumed needs and preferences of the audience, usually omitting all the methodological or technical caveats they normally come with. For instance, the results of opinion polls or surveys are taken to presented clear predictions, rather than reflections of general statistical tendencies; reliability is rarely discussed. Nor are social scientists always innocent victims of this media spin: some actively work on increase their visibility or impact, and thus – perhaps unwittingly – contribute to the sensationalisation of social-scientific discourse. Second, and this can’t be put delicately, some of these theories are just not very good. ‘Nudgery’ and ‘wonkery’ often rest on not particularly sophisticated models of human behaviour; which is not saying that they do not work – they can – but rather that theoretical assumptions underlying these models are rarely accessible to scrutiny.

Of course, it doesn’t take a lot of imagination to figure out why this is the case: it is easier to believe that selling vegetables in attractive packaging can solve the problem of obesity than to invest in long-term policy planning and research on decision-making that has consequences for public health. It is also easier to believe that removing caps to tuition fees will result in universities charging fees distributed normally from lowest to highest, than to bother reading theories of organizational behaviour in different economic and political environments and try to understand how this maps onto the social structure and demographics of a rapidly changing society. In other words: theories are used to inform or predict human behaviour, but often in ways that reinforce existing divisions of power. So, just in case you didn’t see this coming…

Theory is political

All social theories are about constraints, including those that are self-imposed. From Marx to Freud and from Durkheim to Weber (and many non-white, non-male theorists who never made it into ‘the canon’), theories are about what humans can and cannot do; they are about how relatively durable relations (structures) limit and enable how they act (agency). Politics is, fundamentally, about the same thing: things we can and things we cannot change. We may denounce Bismarck’s definition of politics as the art of the possible as insufficiently progressive, but – at the risk of sounding obvious – understanding how (and why) things stay the same is fundamental to understanding how to go about changing them. The history of social theory, among other things, can be read as a story about shifting the boundaries of what was considered fixed and immutable, on the one hand, and constructed – and thus subject to change – on the other.

In this sense, all social theory is fundamentally political. This isn’t to license bickering over different historical materialisms, or to stimulate fantasies – so dear to intellectuals – of ‘speaking truth to power’. Nor should theories be understood as weapons in the ‘war of time’, despite Débord’s poetic formulation: this is but the flipside of intellectuals’ dream of domination, in which their thoughts (i.e. themselves) inspire masses to revolt, usually culminating in their own ascendance to a position of power (thus conveniently cutting out the middleman in ‘speaking truth to power’, as they become the prime bearers of both).

Theory is political in a much simpler sense, in which it is about society and elements that constitute it. As such, it has to be about understanding what is it that those we think of as society think, want, and do, even – and possibly, especially – when we do not agree with them. Rather than aiming to ‘explain away’ people, or fit their behaviour into pre-defined social models, social theory needs to learn to listen to – to borrow a term from politics – its constituents. This isn’t to argue for a (not particularly innovative) return to grounded theory, or ethnography (despite the fact both are relevant and useful). At the risk of sounding pathetic, perhaps the next step in the development of social theory is to really make it a form of social practice – that is, make it be with the people, rather than about the people. I am not sure what this would entail, or what it would look like; but I am pretty certain it would be a welcome element of building a progressive politics. In this sense, doing social theory could become less of the practice of endlessly revising a blueprint for a social theory zoo, and more of a project of getting out from behind its bars.

 

 

*The tendency to interpret women’s interventions as if they are inevitably about ‘feminist theory’ (or, more frequently, as if they always refer to empirical examples) is a trend I have been increasingly noticing since moving into sociology, and definitely want to spend more time studying. This is obviously not to say there aren’t women in the field of social theory, but rather that gender (and race, ethnicity, and age) influence the level of generality at which one’s claims are read, thus reflecting the broader tendency to see universality and Truth as coextensive with the figure of the male and white academic.

 

 

Solving the democratic problem: intellectuals and reconciling epistemic and liberal democracy

Philosophy of social science, Politics, Reviews

bristols_somewhere
…but where? Bristol, October 2014

 

[This review of “Democratic problem-solving” (Cruickshank and Sassower eds., 2017) was first published in Social Epistemology Review and Reply Collective, 26 May 2017].

It is a testament to the lasting influence of Karl Popper and Richard Rorty that their work continues to provide inspiration for debates concerning the role and purpose of knowledge, democracy, and intellectuals in society. Alternatively, it is a testament to the recurrence of the problem that continues to lurk under the glossy analytical surface or occasional normative consensus of these debates: the impossibility to reconcile the concepts of liberal and epistemic democracy. Essays collected under the title Democratic Problem-Solving (Cruickshank and Sassower 2017) offer grounds for both assumptions, so this is what my review will focus on.

Boundaries of Rational Discussion

Democratic Problem-Solving is a thorough and comprehensive (if at times seemingly meandering) meditation on the implications of Popper’s and Rorty’s ideas for the social nature of knowledge and truth in contemporary Angloamerican context. This context is characterised by combined forces of neoliberalism and populism, growing social inequalities, and what has for a while now been dubbed, perhaps euphemistically, the crisis of democracy. Cruickshank’s (in other contexts almost certainly heretical) opening that questions the tenability of distinctions between Popper and Rorty, then, serves to remind us that both were devoted to the purpose of defining the criteria for and setting the boundaries of rational discussion, seen as the road to problem-solving. Jürgen Habermas, whose name also resonates throughout this volume, elevated communicative rationality to the foundational principle of Western democracies, as the unifying/normalizing ground from which to ensure the participation of the greatest number of members in the public sphere.

Intellectuals were, in this view, positioned as guardians—epistemic police, of sorts—of this discursive space. Popper’s take on epistemic ‘policing’ (see DPS, 42) was to use the standards of scientific inquiry as exemplars for maintaining a high level, and, more importantly, neutrality of public debates. Rorty saw it as the minimal instrument that ensured civility without questioning, or at least without implicitly dismissing, others’ cultural premises, or even ontological assumptions. The assumption they and authors in this volume have in common is that rational dialogue is, indeed, both possible and necessary: possible because standards of rationality were shared across humanity, and necessary because it was the best way to ensure consensus around the basic functioning principles of democracy. This also ensured the pairing of knowledge and politics: by rendering visible the normative (or political) commitments of knowledge claims, sociology of knowledge (as Reed shows) contributed to affirming the link between the epistemic and the political. As Agassi’s syllogism succinctly demonstrates, this link quickly morphed from signifying correlation (knowledge and power are related) to causation (the more knowledge, the more power), suggesting that epistemic democracy was if not a precursor, then certainly a correlate of liberal democracy.

This is why Democratic Problem-Solving cannot avoid running up against the issue of public intellectuals (qua epistemic police), and, obviously, their relationship to ‘Other minds’ (communities being policed). In the current political context, however, to the well-exercised questions Sassower raises such as—

should public intellectuals retain their Socratic gadfly motto and remain on the sidelines, or must they become more organically engaged (Gramsci 2011) in the political affairs of their local communities? Can some academics translate their intellectual capital into a socio-political one? Must they be outrageous or only witty when they do so? Do they see themselves as leaders or rather as critics of the leaders they find around them (149)?

—we might need to add the following: “And what if none of this matters?”

After all, differences in vocabularies of debate matter only if access to it depends on their convergence to a minimal common denominator. The problem for the guardians of public sphere today is not whom to include in these debates and how, but rather what to do when those ‘others’ refuse, metaphorically speaking, to share the same table. Populist right-wing politicians have at their disposal the wealth of ‘alternative’ outlets (Breitbart, Fox News, and increasingly, it seems, even the BBC), not to mention ‘fake news’ or the ubiquitous social media. The public sphere, in this sense, resembles less a (however cacophonous) town hall meeting than a series of disparate village tribunals. Of course, as Fraser (1990) noted, fragmentation of the public sphere has been inherent since its inception within the Western bourgeois liberal order.

The problem, however, is less what happens when other modes of arguing emerge and demand to be recognized, and more what happens when they aspire for redistribution of political power that threatens to overturn the very principles that gave rise to them in the first place. We are used to these terms denoting progressive politics, but there is little that prevents them from being appropriated for more problematic ideologies: after all, a substantial portion of the current conservative critique of the ‘culture of political correctness’, especially on campuses in the US, rests on the argument that ‘alternative’ political ideologies have been ‘repressed’, sometimes justifying this through appeals to the freedom of speech.

Dialogic Knowledge

In assuming a relatively benevolent reception of scientific knowledge, then, appeals such as Chis and Cruickshank’s to engage with different publics—whether as academics, intellectuals, workers, or activists—remain faithful to Popper’s normative ideal concerning the relationship between reasoning and decision-making: ‘the people’ would see the truth, if only we were allowed to explain it a bit better. Obviously, in arguing for dialogical, co-produced modes of knowledge, we are disavowing the assumption of a privileged position from which to do so; but, all too often, we let in through the back door the implicit assumption of the normative force of our arguments. It rarely, if ever, occurs to us that those we wish to persuade may have nothing to say to us, may be immune or impervious to our logic, or, worse, that we might not want to argue with them.

For if social studies of science taught us anything, it is that scientific knowledge is, among other things, a culture. An epistemic democracy of the Rortian type would mean that it’s a culture like any other, and thus not automatically entitled to a privileged status among other epistemic cultures, particularly not if its political correlates are weakened—or missing (cf. Hart 2016). Populist politics certainly has no use for critical slow dialogue, but it is increasingly questionable whether it has use for dialogue at all (at the time of writing of this piece, in the period leading up to the 2017 UK General Election, the Prime Minister is refusing to debate the Leader of the Opposition). Sassower’s suggestion that neoliberalism exhibits a penchant for justification may hold a promise, but, as Cruickshank and Chis (among others) show on the example of UK higher education, ‘evidence’ can be adjusted to suit a number of policies, and political actors are all too happy to do that.

Does this mean that we should, as Steve Fuller suggested in another SERRC article see in ‘post-truth’ the STS symmetry principle? I am skeptical. After all, judgments of validity are the privilege of those who can still exert a degree of control over access to the debate. In this context, I believe that questions of epistemic democracy, such as who has the right to make authoritative knowledge claims, in what context, and how, need to, at least temporarily, come second in relation to questions of liberal democracy. This is not to be teary-eyed about liberal democracy: if anything, my political positions lie closer to Cruickshank and Chis’ anarchism. But it is the only system that can—hopefully—be preserved without a massive cost in human lives, and perhaps repurposed so as to make them more bearable.

In this sense, I wish the essays in the volume confronted head-on questions such as whether we should defend epistemic democracy (and what versions of it) if its principles are mutually exclusive with liberal democracy, or, conversely, would we uphold liberal democracy if it threatened to suppress epistemic democracy. For the question of standards of public discourse is going to keep coming up, but it may decreasingly have the character of an academic debate, and increasingly concern the possibility to have one at all. This may turn out to be, so to speak, a problem that precedes all other problems. Essays in this volume have opened up important venues for thinking about it, and I look forward to seeing them discussed in the future.

References

Cruickshank, Justin and Raphael Sassower. Democratic Problem Solving: Dialogues in Social Epistemology. London: Rowman & Littlefield, 2017.

Fraser, Nancy. “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy.” Social Text 25/26 (1990): 56-80.

Fuller, Steve. “Embrace the Inner Fox: Post-Truth as the STS Symmetry Principle Universalized.” Social Epistemology Review and Reply Collective, December 25, 2016. http://wp.me/p1Bfg0-3nx

Hart, Randle J. “Is a Rortian Sociology Desirable? Will It Help Us Use Words Like ‘Cruelty’?” Humanity and Society, 40, no. 3 (2016): 229-241.

Universities, neoliberalisation, and the (im)possibility of critique

Blog, higher education, Politics

Last Friday in April, I was at a conference entitled Universities, neoliberalisation and (in)equality at Goldsmiths, University of London. It was an one-day event featuring presentations and interventions from academics who work on understanding, and criticising, the transformation of working conditions in neoliberal academia. Besides sharing these concerns, attending such events is part of my research: I, in fact, study the critique of neoliberalism in UK higher education.

Why study critique, you may ask? At the present moment, it may appear all the more urgent to study the processes of transformation themselves, especially so that we can figure out what can be done about them. This, however, is precisely the reason: critique is essential to how we understand social processes, in part because it entails a social diagnostic – it tells us what is wrong – and, in part, because it allows us to conceptualise our own agency – what is to be done – about this. However, the link between the two is not necessarily straightforward: first you read some Marx, and then you go and start a revolution. Some would argue that the reading of Marx (what we usually think of as consciousness-raising) is essential part of the process, but there are many variables that intervene between awareness of the unfairness of certain conditions – say, knowing that part-time, low paid teaching work is exploitative – and actually doing something about those conditions, such as organising an occupation. In addition, as virtually everyone from the Frankfurt School onwards had noted, linking these two aspects is complicated by the context of mass consumerism, mass media, and – I would add – mass education. Still, the assumption of an almost direct (what Archer dubbed an ‘hydraulic’) link between knowledge and action still haunts the concept of critique, both as theory and as practice.

In the opening remarks to the conference, Vik Loveday actually zeroed in on this, asking: why is it that there seems to be a burgeoning of critique, but very little resistance? For it is a burgeoning indeed: despite it being my job, even I have issues keeping up to speed with the veritable explosion of the writing that seeks to analyse, explain, or simply mourn the seemingly inevitable capitulation of universities in the face of neoliberalism. By way of illustration, the Palgrave series in “Critical University Studies” boasts eleven new titles, all published in 2016-7; and this is but one publisher, in English language only.

What can explain the relationship between the relative proliferation of critique, and relative paucity of resistance? This question forms the crux of my thesis: less, however, as an invocation for the need to resist, and more as the querying of the relationship between knowledge – especially as forms of critique, including academic critique – and political agency (I do see political agency on a broader spectrum than the seemingly inexhaustible dichotomy between ‘compliance’ and ‘resistance’, but that is another story).

So here’s a preliminary hypothesis (H, if you wish): the link between critique and resistance is mediated by the existence of and position in of academic hierarchy. Two presentations I had the opportunity to hear at the conference were very informative in this regard: the first is Loveday’s analysis of academics’ experience of anxiety, the other was Neyland and Milyaeva’s research on the experiences of REF panelists. While there is a shared concern among academics about the neoliberalisation of higher education, what struck me was the pronounced difference in the degree to which two groups express doubts about their own worth as academics, future, and relevance (in colloquial parlance, ‘impostor syndrome’). While junior* and relatively precarious academics seem to experience high levels of anxiety in relation to their value as academics, senior* academics who sit on REF panels experience it far less. The difference? Level of seniority and position in decision-making.

Well, you may say, this is obvious – the more established academics are, the more confident they are going to be. However, what varies with levels of seniority is not just confidence and trust in one’s own judgements: it’s the sense of entitlement, the degree to which you feel you deserve to be there (Loveday writes about the classed aspects of the sense of entitlement here). I once overheard someone call it the Business Class Test: the moment you start justifying to yourself flying business class on work trips (unless you’re very old, ill, or incapacitated), is the moment when you will have convinced yourself you deserve this. The issue, however, is not how this impacts travel practices: it’s the effect that the differential sense of entitlement has on the relationship between critique and resistance.

So here’s another hypothesis (h1, if you wish). The more precarious your position, the more likely you are to perceive the working conditions as unfair – and, thus, to be critical of the structure of academic hierarchy that enables it. Yet, at the same time, the more junior you are, the more risk voicing that critique – that is, translating it into action – entails. Junior academics often point out that they have to shut up and go on ‘playing the game’: churning out publications (because REF), applying for external funding (because grant capture), and teaching ever-growing numbers of students (because students generate income for the institution). Thus, junior academics may well know everything that is wrong with the academia, but will go on conforming to it in ways that reproduce exactly the conditions they are critical of.

What happens once one ascends to the coveted castle of permanent employment/tenure and membership in research evaluation panels and appointment committees? Well, I’ve only ever been tenure track for a relatively short period of time (having left the job before I found myself justifying flying business class) but here’s an assumption based on anecdotal evidence and other people’s data (h2): you still grin and bear it. You do not, under any circumstances, stop participating in the academic ‘game’ – with the added catch that now you actually believe you deserved your position in it. I’m not saying senior academics are blind to the biases and social inequalities reflected in the academic hierarchy: what I am saying is that it is difficult, if not altogether impossible, to simultaneously be aware of it and continue participating in it (there’s a nod to Sartre’s notion of ‘bad faith‘ here, but I unfortunately do not have the time to get into that now). Ever encounter a professor stand up at a public lecture or committee meeting and say “I recognize that I owe my being here to the combined fortunes of inherited social capital, [white] male privilege, and the fact English is my native language”? I didn’t either. If anything, there are disavowals of social privilege (“I come from a working class background”), which, admirable as they may be, unfortunately only serve to justify the hierarchical nature of academia and its selection procedures (“I definitely deserve to be here, because look at all the odds I had to beat in order to get here in the first place”).

In practice, this leads to the following. Senior academics stay inside the system, and, if they are critical, believe to work against the system – for instance, by fighting for their discipline, or protecting junior colleagues, or aiming to make academia that little bit more diverse. In the longer run, however, their participation keeps the system going – the equivalent of carbon offsetting your business class flight; sure, it may help plant trees in Guinea Bissau, but it does not obfuscate the fact you are flying in the first place. Junior academics, on the other hand, contribute through their competition for positions inside the system – believing that if only they teach enough (perform low-paid work), publish enough (contribute to abundance), or are visible enough (perform unpaid labour of networking on social media, through conferences etc.) – they will get away from precarity, and then they can really be critical (there’s a nod to Berlant’s cruel optimism here that I also unfortunately cannot expand on). Except that, of course, they end up in the position of senior academics, with an added layer of entitlement (because they fought so hard) and an added layer of fear (because no job is really safe in neoliberalism). Thus, while everyone knows everything is wrong, everyone still plays along. This ‘gamification’ of research, which seems to be the new mot du jour in the academia, becomes a stand-in term for the moral economy of  justifying one’s own position while participating in the reproduction of the conditions that contribute to its instability.

Cui bono critique, in this regard? It depends. If critique is divorced from its capacity to incite political action, there is no reason why it cannot be appropriated – and, correspondingly, commodified – in the broader framework of neoliberal capitalism. It’s already been pointed out that critique sells – and, perhaps less obviously, the critique of neoliberal academia does too. Even if the ever-expanding number of publications on the crisis of the university do not ‘sell’ in the narrow sense of the term, they still contribute to the symbolic economy via accruing prestige (and citation counts!) for their authors. In other words: the critique of neoliberalism in the academia can become part and parcel of the very processes it sets out to criticise. There is nothing, absolutely nothing, in the content, act, or performance of critique itself that renders it automatically subversive or dangerous to ‘the system’. Sorry. (If you want to blame me for being a killjoy, note that Boltanski and Chiapello have noted a long time ago in “The New Spirit of Capitalism” that contemporary capitalism grew through the appropriation of the 1968 artistic critique).

Does this mean critique has, as Latour famously suggested, ‘run out of steam’? If we take the steam engine as a metaphor for the industrial revolution, then the answer may well be yes, and good riddance. Along with other Messianic visions, this may speed up the departure of the Enlightenment’s legacy of pastoral power, reflected – imperfectly, yet unmistakably – in the figure of (organic or avant-guarde) ‘public’ intellectual, destined, as he is (for it is always a he) to lead the ‘masses’ to their ultimate salvation. What we may want to do instead is to examine what promise critique (with a small c) holds – especially in the age of post-truth, post-facts, Donald Trump, and so on. In this, I am fully in agreement with Latour that it is important to keep tabs on the difference between matters of fact, and maters of concern; and, perhaps most disturbingly, think about whether we want to stake out the claim for defining the latter on the monopoly on producing the former.

For getting rid of the veneer of entitlement to critique does not in any way mean abandoning the project of critical examination altogether – but it does, very much so, mean reexamining the positions and perspectives from which it is made. This is the reason why I believe it is so important to focus on the foundations of epistemic authority, including that predicated on the assumption of difference between ‘lay’ and academic forms of reflexivity (I’m writing up a paper on this – meanwhile, my presentation on the topic from this year’s BSA conference is here). In other words, in addition to the analysis of threats to critical scholarship that are unequivocally positioned as coming from ‘the outside’, we need to examine what it is about ‘the inside’ – and, particularly, about the boundaries between ‘out’ and ‘in’ – that helps perpetuate the status quo. Often, this is the most difficult task of all.

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Here’s a comic for the end. In case you don’t know it already, it’s Pearls Before Swine, by the brilliant Stephan Pastis. This should at least brighten your day.

P.S. People often ask me what my recommendations would be. I’m reluctant to give any – the academia is broken, and I am not sure whether fixing it in this form makes any sense. But here’s a few preliminary thoughts:

(a) Stop fetishising the difference between ‘inside’ and ‘outside’. ‘Leaving’ the academia is still framed like some epic sort of failure, which amplifies both the readiness of precarious workforce to sustain truly abominable working conditions just in order to stay “in”, and the anxiety and other mental health issues arising from the possibility of falling “out”. Most people with higher education should be able to do well and thrive in all sorts of jobs; if we didn’t frame tenure as a life-or-death achievement, perhaps fewer would agree to suffer for years in hope of its attainment.

(b) Fight for decent working conditions for contingent faculty. Not everyone needs to have tenure if working part-time (or going in and out) are acceptable career choices that offer a liveable income and a level of social support. This would also help those who want to have children or, godforbid, engage in activities other than the rat race for academic positions.

(c) This doesn’t get emphasised enough, but one of the reasons why people vie for positions in the academia is because at least it offers a degree of intellectual satisfaction, in opposition to what Graeber has termed the ever-growing number of ‘bullshit jobs’. So, one of the ways of making working conditions in the academia more decent is by making working conditions outside of academia more decent – and, perhaps, by decentralising a bit the monopoly on knowledge work that the academia holds. Not, however, in the neoliberal outsourcing/’creative hubs’ model, which unfortunately mostly serves to generate value for existing centres while further depleting the peripheries.

* By ”junior” and “senior” I obviously do not mean biological age, but rather status – I am intentionally avoiding denominators such as ‘ECRs’ etc. since I think someone can be in a precarious position whilst not being exactly at the start of their career, and, conversely, someone can be a very early career researcher but have a type of social capital, security, and recognition that are normally associated with ‘later’ career stages.

Zygmunt Bauman and the sociologies of end times

Blog, history, Philosophy of social science, social theory
[This post was originally published at the Sociological Review blog’s Special Issue on Zygmunt Bauman, 13 April 2017]

“Morality, as it were, is a functional prerequisite of a world with an in-built finality and irreversibility of choices. Postmodern culture does not know of such a world.”

Zygmunt Bauman, Sociology and postmodernity

Getting reacquainted with Bauman’s 1988 essay “Sociology and postmodernity”, I accidentally misread the first word of this quote as “mortality”. In the context of the writing of this piece, it would be easy to interpret this as a Freudian slip – yet, as slips often do, it betrays a deeper unease. If it is true that morality is a functional prerequisite of a finite world, it is even truer that such a world calls for mortality – the ultimate human experience of irreversibility. In the context of trans- and post-humanism, as well as the growing awareness of the fact that the world, as the place inhabited (and inhabitable) by human beings, can end, what can Bauman teach us about both?

In Sociology and postmodernity, Bauman assumes the position at the crossroads of two historical (social, cultural) periods: modernity and postmodernity. Turning away from the past to look towards the future, he offers thoughts on what a sociology adapted to the study of postmodern condition would be like. Instead of a “postmodern sociology” as a mimetic representation of (even if a pragmatic response to) postmodernity, he argues for a sociology that attempts to give a comprehensive account of the “aggregate of aspects” that cohere into a new, consumer society: the sociology of postmodernity. This form of account eschews the observation of the new as a deterioration, or aberration, of the old, and instead aims to come to terms with the system whose contours Bauman will go on to develop in his later work: the system characterised by a plurality of possible worlds, and not necessarily a way to reconcile them.

The point in time in which he writes lends itself fortuitously to the argument of the essay. Not only did Legislators and interpreters, in which he reframes intellectuals as translators between different cultural worlds, come out a year earlier; the publication of Sociology and postmodernity briefly precedes 1989, the year that will indeed usher a wholly new period in the history of Europe, including in Bauman’s native Poland.

On the one hand, he takes the long view back to post-war Europe, built, as it was, on the legacy of Holocaust as a pathology of modernity, and two approaches to preventing its repetition – market liberalism and political freedoms in the West, and planned economies and more restrictive political regimes in Central and Eastern parts of the subcontinent. On the other, he engages with some of the dilemmas for the study of society that the approaching fall of Berlin Wall and eventual unification of those two hitherto separated worlds was going to open. In this sense, Bauman really has the privilege of a two-facing version of Benjamin’s Angel of History. This probably helped him recognize the false dichotomy of consumer freedom and dictatorship over needs, which, as he stated, was quickly becoming the only imaginable alternative to the system – at least as far as imagination was that of the system itself.

The present point of view is not all too dissimilar from the one in which Bauman was writing. We regularly encounter pronouncements of an end of a whole host of things, among them history, classical distribution of labour, standards of objectivity in reporting, nation-states, even – or so we hope – capitalism itself. While some of Bauman’s fears concerning postmodernity may, from the present perspective, seem overstated or even straightforwardly ridiculous, we are inhabiting a world of many posts – post-liberal, post-truth, post-human. Many think that this calls for a rethinking of how sociology can adapt itself to these new conditions: for instance, in a recent issue of International Sociological Association’s Global Dialogue, Leslie Sklair considers what a new radical sociology, developed in response to the collapse of global capitalism, would be like.

As if sociology and the zeitgeist are involved in some weird pas-de-deux: changes in any domain of life (technology, political regime, legislation) almost instantaneously trigger calls for, if not the invention of new, then a serious reconsideration of old paradigms and approaches to its study.

I would like to suggest that one of the sources of continued appeal of this – which Mike Savage brilliantly summarised as “epochal theorising” – is not so much the heralding of the new, as the promise that there is an end to the present state of affairs. In order for a new ‘epoch’ to succeed, the old one needs to end. What Bauman warns about in the passage cited at the beginning is that in a world without finality – without death – there can be no morality. In T.S. Eliot’s lines from Burnt Norton: If all time is eternally present, all time is irredeemable. What we may read as Bauman’s fear, therefore, is not that worlds as we know them can (and will) end: it is that, whatever name we give to the present condition, it may go on reproducing itself forever. In other words, it is a vision of the future that looks just like the present, only there is more of it.

Which is worse? It is hard to tell. A rarely discussed side of epochal theorising is that it imagines a world in which social sciences still have a role to play, if nothing else, in providing a theoretical framing or empirically-informed running commentary of its demise, and thus offers salvation from the existential anxiety of the present. The ‘ontological turn’ – from object-oriented ontology, to new materialisms, to post-humanism – reflects, in my view, the same tendency. If objects ‘exist’ in the same way as we do, if matter ‘matters’ in the same way (if not in the same degree) in which, for instance, black lives matter, this provides temporary respite from the confines of our choices. Expanding the concept of agency so as to involve non-human actors may seem more complicated as a model of social change, but at least it absolves humans from the unique burden of historical responsibility – including that for the fate of the world.

Human (re)discovery of the world, thus, conveys less a newfound awareness of the importance of the lived environment, as much as the desire to escape the solitude of thinking about the human (as Dawson also notes, all too human) condition. The fear of relativism that postmodern ‘plurality’ of worlds brought about appears to have been preferable to the possibility that there is, after all, just the one world. If the latter is the case, the only escape from it lies, to borrow from Hamlet, in the country from whose bourn no traveller has ever returned: in other words, in death.

This impasse is perhaps felt strongest in sociology and anthropology because excursions into other worlds have been both the gist of their method and the foundations of their critical potential (including their self-critique, which focused on how these two elements combine in the construction of epistemic authority). The figure of the traveller to other worlds was more pronounced in the case of anthropology, at least at the time when it developed as the study of exotic societies on the fringe of colonial empires, but sociology is no stranger to visitation either: its others, and their worlds, delineated by sometimes less tangible boundaries of class, gender, race, or just epistemic privilege. Bauman was among theorists who recognized the vital importance of this figure in the construction of the foundations of European modernity, and thus also sensitive to its transformations in the context of postmodernity – exemplified, as he argued, in contemporary human’s ambiguous position: between “a perfect tourist” and a “vagabond beyond remedy”.

In this sense, the awareness that every journey has an end can inform the practice of social theory in ways that go beyond the need to pronounce new beginnings. Rather than using eulogies in order to produce more of the same thing – more articles, more commentary, more symposia, more academic prestige – perhaps we can see them as an opportunity to reflect on the always-unfinished trajectory of human existence, including our existence as scholars, and the responsibility that it entails. The challenge, in this case, is to resist the attractive prospect of escaping the current condition by ‘exit’ into another period, or another world – postmodern, post-truth, post-human, whatever – and remember that, no matter how many diverse and wonderful entities they may be populated with, these worlds are also human, all too human. This can serve as a reminder that, as Bauman wrote in his famous essay on heroes and victims of postmodernity, “Our life struggles dissolve, on the contrary, in that unbearable lightness of being. We never know for sure when to laugh and when to cry. And there is hardly a moment in life to say without dark premonitions: ‘I have arrived’”.

Boundaries and barbarians: ontological (in)security and the [cyber?] war on universities

Blog, higher education, Politics, social theory, Sociological fiction

baradurPrologue

One Saturday in late January, I go to the PhD office at the Department of Sociology at the University of Cambridge’s New Museums site (yes, PhD students shouldn’t work on Saturdays, and yes, we do). I swipe my card at the main gate of the building. Nothing happens.

I try again, and again, and still nothing. The sensor stays red. An interaction with a security guard who seems to appear from nowhere conveys there is nothing wrong with my card; apparently, there has been a power outage and the whole system has been reset. A rather distraught-looking man from the Department History and Philosophy of Science appears around the corner, insisting to be let back inside the building, where he had left a computer on with, he claims, sensitive data. The very amicable security guard apologises. There’s nothing he can do to let us in. His card doesn’t work, either, and the system has to be manually reset from within the computers inside each departmental building.

You mean the building noone can currently access, I ask.

I walk away (after being assured the issue would be resolved on Monday) plotting sci-fi campus novels in which Skynet is not part of a Ministry of Defense, but of a university; rogue algorithms claim GCSE test results; and classes are rescheduled in a way that sends engineering undergrads to colloquia in feminist theory, and vice versa (the distances one’ s mind will go to avoid thinking about impending deadlines)*. Regretfully pushing prospective pitches to fiction publishers aside (temporarily)**, I find the incident particularly interesting for the perspective it offers on how we think about the university as an institution: its spatiality, its materiality, its boundaries, and the way its existence relates to these categories – in other words, its social ontology.

War on universities?

Critiques of the current transformation of higher education and research in the UK often frame it as an attack, or ‘war’, on universities (this is where the first part of the title of my thesis comes from). Exaggeration for rhetorical purposes notwithstanding, being ‘under attack’ suggests is that it is possible to distinguish the University (and the intellectual world more broadly) from its environment, in this case at least in part populated by forces that threaten its very existence. Notably, this distinction remains almost untouched even in policy narratives (including those that seek to promote public engagement and/or impact) that stress the need for universities to engage with the (‘surrounding’) society, which tend to frame this imperative as ‘going beyond the walls of the Ivory Tower’.

The distinction between universities and the society has a long history in the UK: the university’s built environment (buildings, campuses, gates) and rituals (dress, residence requirements/’keeping term’, conventions of language) were developed to reflect the separateness of education from ordinary experience, enshrined in the dichotomies of intellectual vs. manual labour, active life vs. ‘life of the mind’ and, not least, Town vs. Gown. Of course, with the rise of ‘redbrick’, and, later, ‘plateglass’ universities, this distinction became somewhat less pronounced. Rather than in terms of blurring, however, I would like to suggest we need to think of this as a shift in scale: the relationship between ‘Town’ and ‘Gown’, after all, is embedded in the broader framework of distinctions between urban and suburban, urban and rural, regional and national, national and global, and the myriad possible forms of hybridisation between these (recent work by Addie, Keil and Olds, as well as Robertson et al., offers very good insights into issues related to theorising scale in the context of higher education).

Policing the boundaries: relational ontology and ontological (in)security

What I find most interesting, in this setting, is the way in which boundaries between these categories are maintained and negotiated. In sociology, the negotiation of boundaries in the academia has been studied in detail by, among others, Michelle Lamont (in How Professors Think, as well as in an overview by Lamont and Molnár), Thomas Gieryn (both in Cultural Boundaries of Science and few other texts), Andrew Abbott in The Chaos of Disciplines (and, of course, in sociologically-inclined philosophy of science, including Feyerabend’s Against Method, Lakatos’ work on research programmes, and Kuhn’s on scientific revolutions, before that). Social anthropology has an even longer-standing obsession with boundaries, symbolic as well as material – Mary Douglas’ work, in particular, as well as Augé’s Non-Places offer a good entry point, converging with sociology on the ground of neo-Durkheimian reading of the distinction between the sacred and profane.

My interest in the cultural framing of boundaries goes back to my first PhD, which explored the construal of the category of (romantic) relationship through the delineation of its difference from other types of interpersonal relations. The concept resurfaced in research on public engagement in UK higher education: here, the negotiation of boundaries between ‘inside’ (academics) and ‘outside’ (different audiences), as well as between different groups within the university (e.g. administrators vs. academics) becomes evident through practices of engaging in the dissemination and, sometimes, coproduction of knowledge, (some of this is in my contribution to this volume). The thread that runs through these cases is the importance of positioning in relation to a (relatively) specified Other; in other words, a relational ontology.

It is not difficult to see the role of negotiating boundaries between ‘inside’ and ‘outside’ in the concept of ontological security (e.g. Giddens, 1991). Recent work in IR (e.g. Ejdus, 2017) has shifted the focus from Giddens’ emphasis on social relations to the importance of stability of material forms, including buildings. I think we can extend this to universities: in this case, however, it is not (only) the building itself that is ‘at risk’ (this can be observed in intensified securitisation of campuses, both through material structure such as gates and cards-only entrances, and modes of surveillance such as Prevent – see e.g. Gearon, 2017), but also the materiality of the institution itself. While the MOOC hype may have (thankfully) subsided (though not dissappeared) there is the ubiquitous social media, which, as quite a few people have argued, tests the salience of the distinction between ‘inside’ and ‘outside’ (I’ve written a bit about digital technologies as mediating the boundary between universities and the ‘outside world’ here as well in an upcoming article in Globalisation, Education, Societies special issue that deals with reassembling knowledge production with/out the university).

Barbarians at the gates

In this context, it should not be surprising that many academics fear digital technologies: anything that tests the material/symbolic boundaries of our own existence is bound to be seen as troubling/dirty/dangerous. This brings to mind Kavafy’s poem (and J.M. Coetzee’s novel) Waiting for the Barbarians, in which an outpost of the Empire prepares for the attack of ‘the barbarians’ – that, in fact, never arrives. The trope of the university as a bulwark against and/or at danger of descending into barbarism has been explored by a number of writers, including Thorstein Veblen and, more recently, Roy Coleman. Regardless of the accuracy or historical stretchability of the trope, what I am most interested in is its use as a simultaneously diagnostic and normative narrative that frames and situates the current transformation of higher education and research.

As the last line of Kavafy’s poem suggests, barbarians represent ‘a kind of solution’: a solution for the otherwise unanswered question of the role and purpose of universities in the 21st century, which began to be asked ever more urgently with the post-war expansion of higher education, only to be shut down by the integration/normalization of the soixante-huitards in what Boltanski and Chiapello have recognised as contemporary capitalism’s almost infinite capacity to appropriate critique. Disentangling this dynamic is key to understanding contemporary clashes and conflicts over the nature of knowledge production. Rather than locating dangers to the university firmly beyond the gates, then, perhaps we could use the current crisis to think about how we perceive, negotiate, and preserve the boundaries between ‘in’ and ‘out’. Until we have a space to do that, I believe we will continue building walls only to realise we have been left on the wrong side.

(*) I have a strong interest in campus novels, both for PhD-related and unrelated reasons, as well as a long-standing interest in Sci-Fi, but with the exception of DeLillo’s White Noise can think of very few works that straddle both genres; would very much appreciate suggestions in this domain!

(**) I have been thinking for a while about a book that would be a spin-off from my current PhD that would combine social theory, literature, and critical cultural political economy, drawing on similarities and differences between critical and magical realism to look at universities. This can be taken as a sketch for one of the chapters, so all thoughts and comments are welcome.

On ‘Denial’: or, the uncanny similarity between Holocaust and mansplaining

Blog, history, Politics, Reviews

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Last week, I finally got around to seeing Denial. It has many qualities and a few disadvantages – its attempt at hyperrealism treading on both – but I would like to focus on the aspect most reviews I’ve read so far seem to have missed. In other words: mansplaining.

Brief contextualization. Lest I be accused of equating Holocaust and mansplaining (I am not – similarity does not denote equivalence), my work deals with issues of expertise, fact, and public intellectualism; I have always found the Irving case interesting, for a variety of reasons (incidentally, I was also at Oxford during the famous event at the Oxford Union). At the same time, like, I suppose, every woman in the academia and beyond with more agency than a doormat, I have, over the past year, become embroiled in countless arguments about what mansplaining is, whether it is really so widespread, whether it is done only by men (and what to call it when it’s perpetrated by those who are not men?) and, of course, that pseudo-liberal what-passes-as-an-attempt at outmaneuvering the issue, which is whether using the term ‘mansplaining’ blames men as a group and is as such essentialising and oppressive, just like the discourses ‘we’ (feminists conveniently grouped under one umbrella) seek to condemn (otherwise known as a tu quoque argument).

Besides logical flaws, what many of these attacks seem to have in common with the one David Irving launched on Deborah Lipstadt (and Holocaust deniers routinely use) is the focus on evidence: how do we know that mansplaining occurs, and is not just some fabrication of a bunch of conceited females looking to get ahead despite their obvious lack of qualifications? Other uncanny similarities between arguments of Holocaust deniers and those who question the existence of mansplaining temporarily aside, one of undisputable qualities of Denial is that it provides multiple examples of what mansplaining looks like. It is, of course, a film, despite being based on a true story. Rather than presenting a downside, this allows for a concentrated portrayal of the practice – for those doubting its verisimilitude, I strongly recommend watching the film and deciding for yourself whether it resembles real-life situations. For those who do not, voilà, a handy cinematic case to present to those who prefer to plead ignorance as to what mansplaining ‘actually’ entails.

To begin with, the case portrayed in the film is a par excellence instance of mansplaining  as a whole: after all, it is about a self-educated (male) historian who sues an academic historian (a woman) because she does not accept his ‘interpretation’ of World War II (namely, that Holocaust did not happen) and, furthermore, dares to call him out on it. In the case (and the film), he sets out to explain to the (of course, male) judge and the public that Lipstadt (played by Rachel Weisz) is wrong and, furthermore, that her critique has seriously damaged his career (the underlying assumption being that he is entitled to lucrative publishing deals, while she, clearly, has to earn hers – exacerbated by his mockery of the fact that she sells books, whereas his, by contrast, are free). This ‘talking over’ and attempt to make it all about him (remember, he sues her) are brilliantly cast in the opening, when Irving (played by Timothy Spall) visits Lipstadt’s public talk and openly challenges her in the Q&A, ignoring her repeated refusal to engage with his arguments. Yet, it would be a mistake to locate the trope of mansplaining only in the relation Irving-Lipstadt. On the contrary – just like the real thing – it is at its most insidious when it comes from those who are, as it were, ‘on our side’.

A good example is the first meeting of the defence team, where Lipstadt is introduced to people working with her legal counsel, the famous Anthony Julius (Andrew Scott). There is a single woman on Julius’ team: Laura (Caren Pistorius), who, we are told, is a paralegal. Despite it being her first case, it seems she has developed a viable strategy: or at least so we are told by her boss, who, after announcing Laura’s brilliant contribution to the case, continues to talk over her – that is, explain her thoughts without giving her an opportunity to explain them herself. In this sense, what at first seems like an act of mentoring support – passing the baton and crediting a junior staff member – becomes a classical act in which a man takes it onto himself to interpret the professional intervention of a female colleague, appropriating it in the process.

The cases of professional mansplaining are abundant throughout the film: in multiple scenes lawyers explain the Holocaust as well as the concept of denial to Lipstadt despite her meek protests that she “has actually written a book about it”. Obvious irony aside, this serves as a potent reminder that women have to invoke professional credentials not to be recognized as experts, but in order to be recognized as equally valid participants in debate. By contrast, when it comes to the only difference in qualifications in the film that plays against Lipstadt – that of the knowledge of the British legal system – Weisz’s character conveniently remains a mixture of ignorance and naïveté couched in Americanism. One would be forgiven to assume that long-term involvement in a libel case, especially one that carries so much emotional and professional weight, would have provoked a university professor to get acquainted with at least the basic rules of the legal system in which the case was processed, but then, of course, that would have stripped the male characters of the opportunity to shine the light of their knowledge in contrast to her supposed ignorance.

Of course, emotional involvement is, in the film, presented as a clear disadvantage when it comes to the case. While Lipstadt first assumes she will, and then repeatedly asks to be allowed to testify, her legal team insists she would be too emotional a witness. The assumption that having an emotional reaction (even if one that is quite expected – it is, after all, the Holocaust we are talking about) and a cold, hard approach to ‘facts’ are mutually exclusive is played off succinctly in the scenes that take place at Auschwitz. While Lipstadt, clearly shaken (as anyone, Jewish or not, is bound to be when standing at the site of such a potent example of mass slaughter), asks the party to show respect for the victims, the head barrister Richard Rampton (Tom Wilkinson) is focused on calmly gathering evidence. The value of this, however, only becomes obvious in the courtroom, where he delivers his coup de grâce, revealing that his calm pacing around the perimeter of Auschwitz II-Birkenau (which makes him arrive late and upsets everyone, Lipstadt in particular) was actually measuring the distance between the SS barracks and the gas chambers, allowing him to disprove Irving’s assertion that the gas chambers were built as air raid shelters, and thus tilt the whole case in favour of the defence.

The mansplaining triumph, however, happens even before this Sherlockian turn, in the scene in which Rampton visits Lipstadt in her hotel room (uninvited, unannounced) in order to, yet again, convince her that she should not testify or engage with Irving in any form. After he gently (patronisingly) persuades her that  “What feels best isn’t necessarily what works best” (!), she, emotionally moved, agrees to “pass her conscience” to him – that is, to a man. By doing this, she abandons not only her own voice, but also the possibility to speak for Holocaust survivors – the one that appears as a character in the film also, poignantly, being female. In Lipstadt’s concession that silence is better because it “leads to victory”, it is not difficult to read the paradoxical (pseudo)pragmatic assertion that openly challenging male privilege works, in fact, against gender equality, because it provokes a counterreaction. Initially protesting her own silencing, Lipstadt comes to accept what her character in the script dubs “self-denial” as the only way to beat those who deny the Holocaust.

Self-denial: for instance, denying yourself food for fear of getting ‘fat’ (and thus unattractive for the male gaze); denying yourself fun for fear of being labeled easy or promiscuous (and thus undesirable as a long-term partner); denying yourself time alone for fear of being seen as selfish or uncaring (and thus, clearly, unfit for a relationship). Silence: for instance, letting men speak first for fear of being seen as pushy (and thus too challenging); for instance, not speaking up when other women are oppressed, for fear of being seen as too confrontational (and thus, of course, difficult); for instance, not reporting sexual harassment, for fear of retribution, shame, isolation (self-explanatory). In celebrating ‘self-denial’, the film, then, patently reinscribes the stereotype of the patient, silent female.

Obviously, there is value in refusing to engage with outrageous liars; equally, there are issues that should remain beyond discussion – whether Holocaust happened being one of them. Yet, selective silencing masquerading as strategy – note that Lipstadt is not allowed to speak (not even to the media), while Rampton communicates his contempt for Irving by not looking at him (thus, denying him the ‘honour’ of the male gaze) – too often serves to reproduce the structural inequalities that can persist even under a legal system that purports to be egalitarian.

Most interestingly, the fact that a film that is manifestly about mansplaining manages to reproduce quite a few of mansplaining tropes (and, I would argue, not always in a self-referential or ironic manner) serves as a poignant reminder how deeply the ‘splaining complex is embedded not only in politics or the academia, but also in cultural representations. This is something we need to remain acutely aware of in the age of ‘post-truth’ or ‘post-facts’. If resistance to lying politicians and the media is going to take the form of (re)assertion of one, indisputable truth, and the concomitant legitimation of those who claim to know it – strangely enough, most often white, privileged men – then we’d better think of alternatives, and quickly.

One more time with [structures of] feeling: anxiety, labour, and social critique in/of the neoliberal academia

Blog, Conference presentations, higher education, social theory

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Florence, April 2013

Last month, I attended the symposium on Anxiety and Work in the Accelerated Academy, the second in the Accelerated Academy series that explores the changing scapes of time, work, and productivity in the academia. Given that my research is fundamentally concerned with the changing relationships between universities and publics, and the concomitant reframing of the subjectivity, agency, and reflexivity of academics, I naturally found the question of the intersection of academic labour and time relevant. One particular bit resonated for a long time: in her presentation, Maggie O’Neill from the University of York suggested anxiety has become the primary structure of feeling in the neoliberal academia. Having found myself, in the period leading up to the workshop, increasingly reflecting on the structures of feeling,  I was intrigued by the salience of the concept. Is there a place for theoretical concepts such as this in research on the transformations of knowledge production in contemporary capitalism, and where is it?

All the feels

“Structure of feeling” may well be one of those ideas whose half-life way superseded their initial purview. Raymond Williams introduced it in a brief chapter included in Marxism and Literature, contributing to carving out what would become known as the distinctly British take on the relationship between “base” and “superstructure”: cultural studies. In it, he says:

Specific qualitative changes are not assumed to be epiphenomena of changed institutions, formations, and beliefs, or merely secondary evidence of changed social and economic relations between and within classes. At the same time they are from the beginning taken as social experience, rather than as ‘personal’ experience or as the merely superficial or incidental ‘small change’ of society. They are social in two ways that distinguish them from reduced senses of the social as the institutional and the formal: first, in that they are changes of presence (while they are being lived this is obvious; when they have been lived it is still their substantial characteristic); second, in that although they are emergent or pre-emergent, they do not have to await definition, classification, or rationalization before they exert palpable pressures and set effective limits on experience and on action. Such changes can be defined as changes in structures of feeling. (Williams, 1977:130).

Williams thus introduces structures of feeling as a form of social diagnostic; he posits it against the more durable but also more formal concepts of ‘world-view’ or ‘ideology’. Indeed, the whole chapter is devoted to the critique of the reificatory tendencies of Marxist social analysis: the idea of things (or ideas) being always ‘finished’, always ‘in the past’, in order for them to be subjected to analytical scrutiny. The concept of “structure of feeling” is thus invoked in order to keep tabs on social change and capture the perhaps less palpable elements of transformation as they are happening.

Emotions and the scholastic disposition

Over the past years, discourse of feelings has certainly become more prominent in the academia. Just last week, Cambridge’s Festival of Ideas featured a discussion on the topic, framing it within issues of free speech and trigger warnings on campus. While the debate itself has a longer history in the US, it had begun to attract more attention in the UK – most recently in relation to challenging colonial legacies at both Oxford and Cambridge.

Despite multiple nuances of political context and the complex interrelation between imperialism and higher education, the debate in the media predominantly plays out in dichotomies of ‘thinking’ and ‘feeling’. Opponents tend to pit trigger warnings or the “culture of offence” against the concept of academic freedom, arguing that today’s students are too sensitive and “coddled” which, in their view, runs against the very purpose of university education. From this perspective, education is about ‘cultivating’ feelings: exercising control, submerging them under the strict institutional structures of the intellect.

Feminist scholars, in particular, have extensively criticised this view for its reductionist properties and, not least, its propensity to translate into institutional and disciplinary policies that seek to exclude everything framed as ‘emotional’, bodily, or material (and, by association, ‘feminine’) from academic knowledge production. But the cleavage runs deeper. Research in social sciences is often framed in the dynamic of ‘closeness’ and ‘distancing’, ‘immersion’ and ‘purification’: one first collects data by aiming to be as close as possible to the social context of the object of research, but then withdraws from it in order to carry out analysis. While approaches such as grounded theory or participatory methods (cl)aim to transcend this boundary, its echoes persist in the structure of presentation of academic knowledge (for instance, the division between data and results), as well as the temporal organisation of graduate education (for instance, the idea that the road to PhD includes a period of training in methods and theories, followed by data collection/fieldwork, followed by analysis and the ‘writing up’ of results).

The idea of ‘distanced reflection’ is deeply embedded in the history of academic knowledge production. In Pascalian Meditations, Bourdieu relates it to the concept of skholē – the scholarly disposition – predicated on the distinction between intellectual and manual labour. In other words, in order for reflection to exist, it needed to be separated from the vagaries of everyday existence. One of its radical manifestations is the idea of the university as monastic community. Oxford and Cambridge, for instance, were explicitly constructed on this model, giving rise to animosities between ‘town’ and ‘gown’: concerns of the ‘lay’ folk were thought to be diametrically opposed to those of the educated. While arguably less prominent in (most) contemporary institutions of knowledge production, the dichotomy is still unproblematically transposed in concepts such as “university’s contribution to society”, which assumes universities are distinct from the society, or at least their interests radically different from those of “the society” – raising obvious questions about who, in fact, is this society.

Emotions, reason, and critique

Paradoxically, perhaps, one of the strongest reverberations of the idea is to be found in the domain of social critique. On the one hand, this sounds counter-intuitive – after all, critical social science should be about abandoning the ‘veneer’ of neutrality and engaging with the world in all of its manifestations. However, establishing the link between social science and critique rests on something that Boltanski, in his critique of Bourdieu’s sociology of domination, calls the metacritical position:

For this reason we shall say that critical theories of domination are metacritical in order. The project of taking society as an object and describing the components of social life or, if you like, its framework, appeals to a thought experiment that consists in positioning oneself outside this framework in order to consider it as a whole. In fact, a framework cannot be grasped from within. From an internal perspective, the framework coincides with reality in its imperious necessity. (Boltanski, 2011:6-7)

Academic critique, in Boltanski’s view, requires assuming a position of exteriority. A ‘simple’ form of exteriority rests on description: it requires ‘translation’ of lived experience (or practices) into categories of text. However, passing the kind of moral judgements critical theory rests on calls for, he argues, a different form of distancing: complex exteriority.

In the case of sociology, which at this level of generality can be regarded as a history of the present, with the result that the observer is part of what she intends to describe, adopting a position of exteri­ority is far from self-evident… This imaginary exit from the viscosity of the real initially assumes stripping reality of its character of implicit necessity and proceeding as if it were arbitrary (as if it could be other than it is or even not be);

This “exit from the viscosity of the real” (a lovely phrase!) proceeds in two steps. The first takes the form of “control of desire”, that is, procedural distancing from the object of research. The second is the act of judgement by which a social order is ‘ejected’, seen in its totality, and as such evaluated from the outside:

In sociology the possibility of this externalization rests on the existence of a laboratory – that is to say, the employment of protocols and instructions respect for which must constrain the sociologist to control her desires (conscious or unconscious). In the case of theories of domination, the exteriority on which cri­tique is based can be called complex, in the sense that it is established at two different levels. It must first of all be based on an exteriority of the first kind to equip itself with the requisite data to create the picture of the social order that will be submitted to critique. A meta­ critical theory is in fact necessarily reliant on a descriptive sociology or anthropology. But to be critical, such a theory also needs to furnish itself, in ways that can be explicit to very different degrees, with the means of passing a judgement on the value of the social order being described. (ibid.)

Critique: inside, outside, in-between?

To what degree could we say that this categorisation can be applied to the current critique of conditions of knowledge production in the academia? After all, most of those who criticize the neoliberal transformation of higher education and research are academics. In this sense, it would make sense to question the degree to which they can lay claims to a position of exteriority. However, more problematically (or interestingly), it is also questionable to which degree a position of exteriority is achievable at all.

Boltanski draws attention to this problem by emphasising the distinction between the cognition – awareness – of ‘ordinary’ actors, and that of sociologists (or other social scientists), the latter, presumably, able to perceive structures of domination that the subjects of their research do not:

Metacritical theories of domination tackle these asymmetries from a particular angle – that of the miscognition by the actors themselves of the exploitation to which they are subject and, above all, of the social conditions that make this exploitation possible and also, as a result, of the means by which they could stop it. That is why they present themselves indivisibly as theories of power, theories of exploitation and theories of knowledge. By this token, they encounter in an especially vexed fashion the issue of the relationship between the knowledge of social reality which is that of ordinary actors, reflexively engaged in practice, and the knowledge of social reality conceived from a reflexivity reliant on forms and instruments of totalization – an issue which is itself at the heart of the tensions out of which the possibility of a social science must be created (Boltanski, 2011:7)

Hotel Academia: you can check out any time you like, but you can never leave?

How does one go about thinking about the transformation of the conditions of knowledge production when one is at the same time reflexively engaged in practice and relying on the reflexivity provided by sociological instruments? Is it at all possible? The feelings of anxiety, to this end, could be provoked exactly by this lack of opportunity to step aside – to disembed oneself from the academic life and reflect on it at the leisurely pace of skholē. On the one hand, this certainly has to do with the changing structure and tempo of academic life – acceleration and demands for increased output: in this sense, anxiety is a reaction to the changes perceived and felt, the feeling that the ground is no longer stable, like a sense of vertigo. On the other hand, however, this feeling of decentredness could be exactly what contemporary critique calls for.

The challenge, of course, is how to turn this “structure of feeling” into something that has analytical as well as affective power – and can transform the practice itself. Stravinsky’s Rite of Spring, I think, is a wonderful example of this. As a melody, it is fundamentally disquieting: its impact primarily drawn from the fact that it disrupted what were, at the time, expectations of the (musical) genre, and in the process, rewrote them.

In other words, anxiety could be both creative and destructive. This, however, is not some broad call to “embrace anxiety”. There is a clear and pertinent need to understand the way in which the transformations of working conditions – everywhere, and also in the context of knowledge production – are influencing the sense of self and what is commonly referred to as mental health or well-being.

However, in this process, there is no need to externalise anxiety (nor other feelings): that is, frame it as if caused by forces outside of, or completely independent from, human influence, including within the academia itself (for instance, government policies, or political changes on supranational level). Conversely, there is no need to completely internalise it, in the sense of ascribing it to the embodied experience of individuals only. If feelings occupy the unstable ‘middle ground’ between institutions and individuals, this is the position from which they will have to be thought. If anxiety is an interpretation of the changes of the structures of knowledge production, its critique cannot but stem from the same position. This position is not ‘outside’, but rather ‘in-between’; insecure and thought-provoking, but no less potent for that.

Which, come to think of it, may be what Williams was trying to say all along.

Do we need academic celebrities?

Blog, higher education, social theory

 

[This post originally appeared on the Sociological Review blog on 3 August, 2016].

Why do we need academic celebrities? In this post, I would like to extend the discussion of academic celebrities from the focus on these intellectuals’ strategies, or ‘acts of positioning’, to what makes them possible in the first place, in the sense of Kant’s ‘conditions of possibility’. In other words, I want to frame the conversation in the broader framework of a critical cultural political economy. This is based on a belief that, if we want to develop an understanding of knowledge production that is truly relational, we need to analyse not only what public intellectuals or ‘academic celebrities’ do, but also what makes, maintains, and, sometimes, breaks, their wider appeal, including – not least importantly – our own fascination with them.

To begin with, an obvious point is that academic stardom necessitates a transnational audience, and a global market for intellectual products. As Peter Walsh argues, academic publishers play an important role in creating and maintaining such a market; Mark Carrigan and Eliran Bar-El remind us that celebrities like Giddens or Žižek are very good at cultivating relationships with that side of the industry. However, in order for publishers to operate at an even minimal profit, someone needs to buy the product. Simply put, public intellectuals necessitate a public.

While intellectual elites have always been to some degree transnational, two trends associated with late modernity are, in this sense, of paramount importance. One is the expansion and internationalization of higher education; the other is the supremacy of English as the language of global academic communication, coupled with the growing digitalization of the process and products of intellectual labour. Despite the fact that access to knowledge still remains largely inequitable, they have contributed to the creation of an expanded potential ‘customer base’. And yet – just like in the case of MOOCs – the availability or accessibility of a product is not sufficient to explain (or guarantee) interest in it. Regardless of whether someone can read Giddens’ books in English, or is able to watch Žižek’s RSA talk online, their arguments, presumably, still need to resonate: in other words, there must be something that people derive from them. What could this be?

In ‘The Existentialist Moment’, Patrick Baert suggests the global popularity of existentialism can be explained by Sartre’s (and other philosophers’ who came to be identified with it, such as De Beauvoir and Camus) successful connecting of core concepts of existentialist philosophy, such as choice and responsibility, to the concerns of post-WWII France. To some degree, this analysis could be applied to contemporary academic celebrities – Giddens and Bauman wrote about the problems of late or liquid modernity, and Žižek frequently comments on the contradictions and failures of liberal democracy. It is not difficult to see how they would strike a chord with the concerns of a liberal, educated, Western audience. Yet, just like in the case of Sartre, this doesn’t mean their arguments are always presented in the most palatable manner: Žižek’s writing is complex to the point of obscurantism, and Bauman is no stranger to ‘thick description’. Of the three, Giddens’ work is probably the most accessible, although this might have more to do with good editing and academic English’s predilection for short sentences, than with the simplicity of ideas themselves. Either way, it could be argued that reading their work requires a relatively advanced understanding of the core concepts of social theory and philosophy, and the patience to plough through at times arcane language – all at seemingly no or very little direct benefit to the audience.

I want to argue that the appeal of star academics has very little to do with their ideas or the ways in which they are framed, and more to do with the combination of charismatic authority they exude, and the feeling of belonging, or shared understanding, that the consumption of their ideas provides. Similarly to Weber’s priests and magicians, star academics offer a public performance of the transfiguration of abstract ideas into concrete diagnosis of social evils. They offer an interpretation of the travails of late moderns – instability, job insecurity, surveillance, etc. – and, at the same time, the promise that there is something in the very act of intellectual reflection, or the work of social critique, that allows one to achieve a degree of distance from their immediate impact. What academic celebrities thus provide is – even if temporary – (re)‘enchantment’ of the world in which the production of knowledge, so long reserved for the small elite of the ‘initiated’, has become increasingly ‘profaned’, both through the massification of higher education and the requirement to make the stages of its production, as well as its outcomes, measurable and accountable to the public.

For the ‘common’ (read: Western, left-leaning, highly educated) person, the consumption of these celebrities’ ideas offers something akin to the combination of a music festival and a mindfulness retreat: opportunity to commune with the ‘like-minded’ and take home a piece of hope, if not for salvation, then at least for temporary exemption from the grind of neoliberal capitalism. Reflection is, after all, as Marx taught us, the privilege of the leisurely; engaging in collective acts of reflection thus equals belonging to (or at least affinity with) ‘the priesthood of the intellect’. As Bourdieu noted in his reading of Weber’s sociology of religion, laity expect of religion “not only justifications of their existence that can offer them deliverance from the existential anguish of contingency or abandonment, [but] justification of their existence as occupants of a particular position in the social structure”. Thus, Giddens’ or Žižek’s books become the structural or cultural equivalent of the Bible (or Qur’an, or any religious text): not many people know what is actually in them, even fewer can get the oblique references, but everyone will want one on the bookshelf – not necessarily for what they say, but because of what having them signifies.

This helps explain why people flock to hear Žižek or, for instance, Yannis Varoufakis, another leftist star intellectual. In public performances, their ideas are distilled to the point of simplicity, and conveniently latched onto something the public can relate to. At the Subversive Festival in Zagreb, Croatia in 2013, for instance, Žižek propounded the idea of the concept of ‘love’ as a political act. Nothing new, one would say – but who in the audience would not want to believe their crush has potential to turn into an act of political subversion? Therefore, these intellectuals’ utterances represent ‘speech acts’ in quite a literal sense of the term: not because they are truly (or consequentially) performative, but because they offer the public an illusion that listening (to them) and speaking (about their work) represents, in itself, a political act.

From this perspective, the mixture of admiration, envy and resentment with which these celebrities are treated in the academic establishment represents a reflection of their evangelical status. Those who admire them quarrel about the ‘correct’ interpretation of their works and vie for the status of the nominal successor, which would, of course, also feature ritualistic patricide – which may be the reason why, although surrounded by followers, so few academic celebrities actually elect one. Those who envy them monitor their rise to fame in hope of emulating it one day. Those who resent them, finally, tend to criticize their work for intellectual ‘baseness’, an argument that is in itself predicated on the distinction between academic (and thus ‘sacred’) and popular, ‘common’ knowledge.

Many are, of course, shocked when their idols turn out not to be ‘original’ thinkers channeling divine wisdom, but plagiarists or serial repeaters. Yet, there is very little to be surprised by; academic celebrities, after all, are creatures of flesh and blood. Discovering their humanity and thus ultimate fallibility – in other words, the fact that they cheat, copy, rely on unverified information, etc. – reminds us that, in the final instance, knowledge production is work like any other. In other words, it reminds us of our own mortality. And yet, acknowledging it may be the necessary step in dismantling the structures of rigid, masculine, God-like authority that still permeate the academia. In this regard, it makes sense to kill your idols.